Last Friday I started blogging, and then I don’t know what happened, I got distracted by, like, life or something like it. Like the butcher who backed into his meat slicer, I have gotten a little behind in my work. I have all these little bits and pieces of blog entries that make it no further than a Word document, and I need to weave them together into some sort of crazy quilt. Your crazy butcher aunt’s crazy quilt.
So, but, this is what we’ll do, okay? We’ll do a weekend montage. We like montages. I remember when I was watching “New York Minute” with Jeff, and he said “I smell a montage coming!” and then there they were, Mary-Kate and Ashley being made over in a black-people’s hair salon like only black people know how to make a girl over. Or somethin.

1/
SW1 is the postcode for fancy pants; it is the postcode for Harrods, which is meh, and it is the postcode for Harvey Nicks, which is oh-yes-please. So the fact that Brompton Road, at a quarter to nine in the morning, smells like sweet, sweet doughnuts is either completely unexpected or completely fitting, I don’t know which yet.
I got off the number fourteen bus Friday morning and thought I smelt doughnuts. The scent was faint, still, but I followed the sugared air to the back of Harrods, where it seemed to thicken, like syrup. My feet, in pointy purple flats, sounded like thinking:
Click...click? Click? ...Click? Click-click? Click-click! Click-click-click-click-click-click!The Krispy Kreme sign explained all, eventually, but a girl has no time for Krispy Kremes—not the Original Glazed, not the Glazed Sour Cream, not even the Glazed Chocolate Cake—
(are your eyes glazing over yet?)—
the thing is, a girl’s got no time for Krispy Kremes when she’s got a breakfast date at Ladurée.
The waitstaff were dressed better than we were, and it was terribly genteel, at a quarter to nine in the morning. We had fancy upholstered chairs in stripes, with very tiny wheels on the bottoms of their legs. A terribly genteel place where the waitstaff are dressed better than you, where the chairs have tiny wheels as if they were landed gentry with monocles on their high-boned noses, assumes that the silverware will be good and heavy, and the porcelain will be fine and rimmed in gold. These are good assumptions. Also good is the assumption that at some point, manoeuvring over the eggs, I made Suzzan drop her good, heavy fork on the fine, gold-rimmed porcelain. Did you assume, too, that the grand clatter was accompanied by our fluttered “OH!” ? You are correct.
“We are bringing down the tone of this place,” Suz said, but I told her that’d already been achieved by the Krispy Kreme smell that kept wafting in from the rest of the Harrods food hall. That didn’t stop her from saying, when Henny rang later: “We’re in Paris!” because, I mean, still.
The bonus dream-sequence part of this montage is when I said to Suzzan, because Suzzan is a paediatric nurse: “Hey, if you were at work and you opened the door to the baby room and all the babies had wings and were sort of flying around, and there were
also macarons with wings flying around in the room, would you just sort of close the door quietly behind you and walk away?” and Suzzan said: “I would take one macaron, and then I would close the door and say, ‘We have a situation.’”
I’m not sure what the music to this montage is; maybe something by Pink Martini, or maybe the French-Afro beat-heavy something they started playing at Ladurée just as I picked up my phone to make a Very Professional Phone Call to an HR person. Suz and Hens both suggested the restrooms instead, and certainly it was quiet in there while I was dialling the number, but by the time I’d punched in all the digits, a girl’d come in, singing, and then flushing. Later, still waiting for a good moment to ring, I was stuck on a rattly bus heading West to Olympia while I jiggled my foot with nervousness and impatience. I thought: “Maybe I will make the call while this bus sits in traffic,” so of course right then the police sirens came screaming down the street while a woman on the pavement started to yell “Fuck you! FUCK YOU!”
2/
The weekend the boy came to visit, there was a lemon tart waiting on the windowsill, a lemon tart that got eaten, bit by bit, over the weekend, with enough left over to give a hunk to Hens and John when we met for Sunday dim sum, and enough still to nosh on, so many of us lying bellies-down on the carpet, when Bastien and Panda and Jeanne rolled in.
Emily had said, before Olive got in, “You have to plan the weekend, but make it look like it was all casual,” but I’d said, “No, no, it’s chill, you know, it’s cool.” But now I see she knew what she was talking about, because when you sit around thinking It’s chill, it’s cool, what happens is, the boy wants to go to Portobello Market, and you say, Yah! Okay!, and then all of a sudden, even though you are holding two maps, the street you were heading for, all chill and cool, is now twenty minutes in the wrong direction and you have no idea where to get the bloody bus.
We found the number ninety-four, finally, and Portobello Market, and there were a tomato tart and fancy fruit juices, and then a loaf of rosemary bread for after. There could have been a T-shirt, as well, that said “Nobody knows I’m a lesbian” but the boy wasn’t having it.
This weekend when the boy came to visit, there was a walk through Green Park to take pictures with the bobbies. There were so many sneakers, for boys and for girls, at the Adidas store, and there could have been a massacre at Fortnum & Mason but we ran out of time.
That weekend, too, there was Champagne at dinner, and Nutella and rose jam at breakfast. There were very strong macchiati at Bar Italia, where Luca behind the zinc bar raised his arms in the air and shouted “My love!” when we came in. On a very grey evening, the air damp with indecisive rain, there were warm friton toasts on the big red carpet with the Saturday newspaper.
I think I’m setting this montage to the entire Life album by the Cardigans, because it makes a girl feel good, like a weekend when the boy comes to visit. That part, though, at the end, when we realise it’s half an hour later than we’d thought, and then all of a sudden we’re booking it down Drury Lane; that part with everyone fumbling about and kissing our good-byes, Panda and Jeanne and Bastien and Olive and me; that part where we’re all tumbling out of the cab like clowns at a circus, like monkeys from a barrel; that part when the Eurostar terminal is empty save for us skidding in through the sliding doors; that part where the Frenchies make the train with just seconds to spare—that whole last flurry is set to the music of that Kit Kat ad they used to play on TV back in the eighties, the one with the figure-skating pandas.